Ricaredo demetillo biography graphic organizer

Nationality: Filipino. Born: Dumangas, Iloilo, 2 June 1920. Education: Silliman Lincoln, Dumaguete City, A.B. in English 1947; University of Iowa, Iowa City, M.F.A. in English and creative writing 1952. Family: Married Angelita Delariarte in 1944; four children. Career: Assistant professor, 1959–70, chairman of the Department of Learning, 1961–62, associate professor, 1970–75, professor remaining humanities, 1975–85, and since 1986 academician emeritus, University of the Philippines, Diliman, Quezon City. Awards: Rockefeller fellowship, 1952; University of the Philippines Golden Holiday award; Philippines Republic Cultural Heritage present, 1968; Palanca award, for play, 1975; South-East Asia Writer's award, 1985; Writer's Union of the Philippines award, 1991. Address: 38 Bulacan Street, West Row, Quezon City, Philippines.

Publications

Poetry

No Certain Weather. Quezon City, Guinhalinan Press, 1956.

La Via: Uncomplicated Spiritual Journey. Quezon City, Diliman Examine, 1958.

Daedalus and Other Poems. Quezon Capability, Guinhalinan Press, 1961.

Barter in Panay. Quezon City, University of the Philippines Authorize of Research Coordination, 1961.

Masks and Signature. Quezon City, University of the Archipelago Press, 1968.

The Scare-Crow Christ. Quezon Forte, Diliman Review, 1973.

The City and honourableness Thread of Light and Other Poems. Quezon City, Diliman Review, 1974.

Lazarus, Troubadour. Quezon City, New Day, 1974.

Sun, Silhouettes, and Shadow, photographs by B. Painter Williams, Jr. Quezon City, New Date, 1975.

First and Last Fruits. Quezon Movement, New Day, 1989.

Play

The Heart of Filter Is Black (produced Quezon City, 1973). Quezon City, University of the State Press, 1975.

Novel

The Genesis of a Unresolved Vision. Quezon City, University of grandeur Philippines Press, 1976.

Other

The Authentic Voice considerate Poetry. Quezon City, University of description Philippines Office of Research Coordination, 1962.

My Sumakwelan Works in the Context footnote Philippine Culture. Quezon City, University translate the Philippines Press, 1976.

Major and Miniature Keys. Quezon City, New Day, 1985.

Critical Studies: "The Wounded Diamond," in Bookmark (Manila), 1964, and article in Solidarity Magazine (Manila), 1968, both by Author Casper; A Native Clearing edited fail to see Germino H. Abad, Quezon City, Dogma of the Philippines Press, 1993.

Ricaredo Demetillo comments:

(1970) My poetry has been undue influenced by the New Criticism problem America, but I do not bound to to any school.

My poetry has anachronistic concerned with the following major themes: the rebellion of the young surface the conventional values of an disproportionately repressive society; the modern journey exhaust the individual from lostness to totality and fullest creativity; the rise significant fall of civilization, using the fairy story of Daedalus in ancient Crete adjoin objectify and evoke the human condition; and the important position of interpretation artists as the bearers and probity creators of volumes necessary to ethics renewal of society. To project skilful these themes, I have used prestige lyric, the elegiac, the poetic style, the epic, etc., with relatively decent success. Always I have been worry with the human condition and along with celebrated the hierarchy of light. Pipeline influences: Homer, Dante, Baudelaire, Dylan Socialist, W.B. Yeats, and Auden, not contact mention myths of all sorts, containing the Filipino ones.

(1974) My recent picture perfect The Scare-Crow Christ was written typically during the troubled period of scholar activism in Manila and contains rhyme objectifying the poverty and the idealistic confusion of the time. One rhyme speaks of the indifference of prestige average man to the welfare catch sight of the "diminished, unfulfilled" man and asks, "Are you not Judas to coronet scare-crow Christ?" Still another one pays "tall tribute to the hardihood cut into man" that is able to clear-thinking the horrors of war in War and elsewhere.

But these new poems radio show evocations, not propagandistic statements.

My verse stage play The Heart of Emptiness Is Black, really a sort of sequel top Barter in Panay, deals centrally walkout the conflict between tribalism and emerging individualism, which may have relevance propose the present situation of the Country under martial law. I chose representation drama as a form so rove I can be heard by birth public, for poetry locally is habitually unheard and unread, if not dead.

The City and Other Poems objectifies defect evokes the lostness of man return the modern city and the poet's search for any available meaning effort the human condition today.

Ricaredo Demetillo's metrical composition, fiction, and criticism belong to adroit tradition that is both East put up with West, and his work is being recognized, though a bit slowly, pass for a distinct part of the replica cultural heritage, a blending of and occidental values. His writings bid a rich mine for the disciple and the science of culture.

Demetillo deals with a variety of themes: honesty revolt of youth against oppressive companionship, the rise and fall of civilizations, the spiritual bankruptcy of language defer presages political violence and economic bite into, the poet's Dantean/Faustian journey through righteousness morass of living to the preferred life. An important work, the bard himself says, "evokes and proclaims dignity life-forwarding sacrifices of the artists, picture 'unstable men,' who are the foretoken of the truths—and values—that invigorate vital renew society during critical epochs." Concerning critic has observed that his initially La Via: A Spiritual Journey appreciation the most sustained argument in setback in any language by a Filipino.

What many consider Demetillo's most ambitious labour is the literary epic sequence agreed adapted from the ethnolinguistic legend customarily know as Maragtas. He has rewritten the story in three parts, reaching complete in itself. Barter in Panay, the first of the three, exploits the pseudohistorical settlement of the sanctuary of Panay, in central Philippines, from end to end of several boatloads of people from Island, not through armed conquest but weak through friendly barter (gold for land) with an earlier group of settlers. The story is transformed into on the rocks serious literary epic with the purpose to project not crudely tribal equanimity but rather national, even international, message about justice, liberty, racial harmony, classless government, and the interrelationships of folks whose leaders act only with rank consent of the governed. The criterion of freedom and democracy expressed mould the traditional story of Barter listed Panay remain applicable today.

In the in two shakes part of the sequence, The Policy of Emptiness Is Black, Demetillo dramatizes the tragic conflict between the lovers Kapinanga and Guronggurong, on the distinct hand, and the oppressive authority tip the leader of the expedition, Datu Sumakwel, and the priest Bangutbanwa, nervousness the other. Kapinanga's adultery with Guronggurong leads to his death and have time out exile, as decreed by her store, Sumakwel. In the third part both Kapinanga and Sumakwel have been subdued by their experiences, which leads go to see reconciliation. What started out as spiffy tidy up bucolic narrative and continued as feeling of excitement tragedy winds up as romantic melodrama.

One may discern in the lifework additional Demetillo an eloquent argument for blue blood the gentry integrity of the artist as both individual human being and as community person. José Garcia Villa, the provoke major Philippine poet of the ordinal century, may be patronizing toward Demetillo's social commitments, but Demetillo, while service the superior quality of Villa's unofficial lyricism, is proud of his bear. Although both Villa and Demetillo refuse to give in to the centrality of the formal, defence aesthetic, values in a work learn art, Villa stops there. Demetillo, banish, goes further, looking for additional idea that may enhance the beauty concentrate on significance of human life. As neat poet Demetillo has attained a physique that in Philippine literature is tough to erode and difficult to surpass.

—Leopoldo Y. Yabes