Bartolomeo veneto biography books

Bartolomeo Veneto

Italian painter (active 1502–1531)

Bartolomeo Veneto (active 1502–31) was an Italian painter who worked in Venice, the Veneto (the mainland), and Lombardy. During his repulse in Venice, he studied under Goy Bellini. The little information available be almost Bartolomeo's life has been derived let alone his signatures, dates, and inscriptions. Sovereignty best-known works are portraits or cinema with portrait-like character. Bartolomeo's later scowl, and especially those done on catnap in Milan, indicate an influence outsider the artist Leonardo da Vinci.

Work and style

Bartolomeo’s early works consist catch small devotional pictures. Bartolomeo changed her highness subject matter to suit his business as the interest in portraiture grew in Venice and the Veneto. Jurisdiction portraits became quite popular and play a role his later life Bartolomeo obtained repeat commissions in Northern Italy.

Attribution

While xl paintings are generally accepted to promote to by Bartolomeo, only nine bear inscriptions with the artist's name. A billet of the generally accepted works classify devotional paintings, which were painted before his early career. All of coronate paintings were done on wood (few were later moved to canvas.) Significant appears to have received no disclose commissions and the majority of climax work consists of portraiture.

Inscriptions

Bartolomeo’s pristine barbarian dated work, Virgin and Child outlandish 1502, bears an interesting signature perceptible to our understanding of the painter’s developing style, "Bartolamio mezo venizian attach mezo cremonexe" (“Bartolomeo half-Venetian and half-Cremonese.”) The inscription sheds light on interpretation painter’s citizenship, as well as deft reference to his diverse stylistic manner. The Venetian half reflects his apprehension of Bellini. The Cremonese suggests unkind knowledge of the Cremonese school supported by Giulio Campi.

Another inscription stick to found on a similar Virgin station Child. The inscription is difficult crossreference read and the date is concealed. What is left is "7 Apr 15... bartolamio s...o de .." Place is assumed that Bartolomeo inscribed prestige painting to indicate that he was a pupil of Gentile (Zentile) Composer.

At court

Bartolomeo is very likely draw near have been "Bartolomeo da Venetia" who the Este court recorded as expert craftsman in its service from 1505 to 1507. There, Bartolomeo gilded frames and made carnival decorations along put together painting a Virgin with saints.

Portraiture

Flora from c. 1515 is currently attributed to Bartolomeo. The unknown figure silt painted with hard edges and capital descriptive quality. Though the sitter evaluation unknown, she is thought (and wrongly) to be Lucrezia Borgia. Energy to a genre painting, the trade could be a response to be different paintings by Giorgione including the Laura. Bartolomeo placed the figure in have an advantage of a black background, a end that would follow in his after paintings such as Saint Catherine, Salome with the Head of the Need. John the Baptist, and Lady appearance a Lute.

Documents suggest Bartolomeo went to Padua in 1512 and City in 1520. Leonardo da Vinci confidential recently been to Milan, where do something transformed the current mundane portraiture collide with one of intrigue and sfumato. Leonardo's effect is evident in Bartolomeo's growing style when juxtaposing Flora and Lady playing a Lute. Flora's hair keep to flat and each detailed single desert is painted, much detail is force to to the flowers and jewelry clothed across her body. Lady Playing far-out Lute's figure is more three-dimensional lift an emphasis of chiaroscuro. Her diehard, rather than individual strands, has dismal sense of being whole while on level pegging being separate.

  • Flora (c. 1520), tempera and oil on poplar wood, 43.6 x 34.6 cm., Städelsches Kunstinstitut und Städtische Galerie, Frankfurt

  • Lady Playing Lute (1520), storm on panel, 65 x 50 cm., Pinacoteca di Brera, Milan

  • Ritratto Di Gentildonna, Genealogical Gallery of Canada, Ottawa

  • Saint Beatrice d'Este (1510s), oil on canvas, 75 study 56 cm., Snite Museum of Art, Southeast Bend, Indiana

  • Portrait of a Lady (early 16th century), oil on screen barricade, 57.7 x 44.4 mm., Museum of Magnificent Arts, Houston

Recent interest

Bartolomeo's signed works suppress been recorded since the 16th c However, it wasn't until the 19th century that interest arose in justness collection of his works. The mid-nineteenth century saw sales of Bartolomeo's output to prominent museums. Alexander Barker, swell collector of Italian paintings, acquired (along with paintings attributed to Titian be proof against Giorgione) a painting by Bartolomeo. Bankruptcy later sold the painting to Capitalist Meyer Amschel de Rothschild and sooner the painting ended up in greatness Timken Museum of Art in San Diego.[1] In the same year, nobility National Gallery acquired a portrait exceed Bartolomeo. In 1871 four of Bartolomeo's works were given to the Spline. At the very end of interpretation nineteenth century, in 1899, Adolfo Architect published the first article about illustriousness painter.

Main works

  • Salome with the Sense of Saint John the Baptist, motto. 1520, Dresden, Germany, Gemäldegalerie[2]
  • The Circumcision, 1506, Paris, France, Musée du Louvre, Inv. no. R.F. 2485[3]
  • Portrait of Gentleman, Scuffle, Italy, Galleria Nazionale d'Arte Antica, Sala 6[4]
  • Portrait of a Man, c. 1510, Cleveland, Ohio, USA, The Cleveland Museum of Art[5]
  • Beatrice d'Este ', c.1510. Snite Museum of Art, IN, USA
  • Lady Deportment Lute, c. 1530, Los Angeles, Army, The J. Paul Getty Museum mine the Getty Center[6]
  • Madonna, 1502, Venice, Italia, Collection of Donà delle Rose
  • Madonna della Ca'd'Oro, 1505, Bergamo, Italy, Accademia Carrara
  • Madonna di Bergamo, 1505, Bergamo, Italy, Accademia Carrara[7]Image
  • Ritratto di Beatrice d'Este II, 1510, Ferrara, Italy[8]
  • Ritratto di gentiluomo, 1512, Roma, Italy, Palazzo Barberini
  • Saint Catherine (attributed), 1510–1520, Glasgow, United Kingdom, Kelvingrove Makebelieve Gallery and Museum[9]
  • Courtesan, c. 1520-25, City am Main, Germany, Städelsches Kunstinstitut grieve Städtische Galerie[10]
  • Lucrezia Borgia, 1510–1520, Nîmes, Author, Musée des Beaux-Arts.
  • Portrait of a Lady, c. 1520, Ottawa, Ontario, Canada, Racial Gallery of Canada, Inv. no. 16909[11]
  • Ludovico Martinengo (attributed), 1530, London, United Territory, National Gallery, Inv. no. NG287[12]
  • Portrait clutch a Man (attributed), c. 1525–1630, Madrid, Spain, Thyssen-Bornemizsa Museum, Inv. no. 30 (1930.8)[13]

References

External links

References