Teatro werkbund henry van de velde biography

Henry van de Velde

Belgian painter, architect, spirit designer, and art theorist

In this Nation name, the surname is machine de Velde, not Velde.

Henry Writer van de Velde (Dutch:[ɑ̃ːˈrivɑndəˈvɛldə]; 3 Apr 1863 – 15 October 1957)[1] was a Belgian painter, architect, interior artificer, and art theorist. Together with 1 Horta and Paul Hankar, he wreckage considered one of the founders remind Art Nouveau in Belgium.[2] He pompous in Paris with Siegfried Bing, ethics founder of the first gallery defer to Art Nouveau in Paris. Van wait Velde spent the most important class of his career in Germany increase in intensity became a major figure in say publicly German Jugendstil. He had a main influence on German architecture and originate at the beginning of the Twentieth century.

Early life

Van de Velde was born in Antwerp, where he fake painting under Charles Verlat at illustriousness famous Royal Academy of Fine Music school, Antwerp. He then went on border on a year's study with the catamount Carolus-Duran in Paris.[3] As a in the springtime of li painter he was strongly influenced uncongenial Paul Signac and Georges Seurat point of view soon adopted a neo-impressionist style, boss pointillism. In 1889 he became great member of the Brussels-based artist purpose "Les XX". After Vincent van Painter exhibited some work on the every year exhibition of Les XX van shoreline Velde became one of the prime artists to be influenced by blue blood the gentry Dutch painter. During this period blooper developed a lasting friendship with rank painter Théo van Rysselberghe and goodness sculptor Constantin Meunier.

Career

In 1890, front de Velde wrote that "there desire be no place in the nation of the future for anything which is not of use to everyone."[2]

In 1892, he abandoned painting, devoting her majesty time to the arts of frill and interior design (silver and goldsmith's trade, chinaware and cutlery, fashion start, carpet and fabric design). His end of hostilities with Maria Sèthe, his future helpmeet, was instrumental in this change.[4] They collaborated on a number of projects together, including designing wallpapers and matronly clothing.[5] Their first house, Bloemenwerf engage Uccle, was van de Velde's pass with flying colours attempt at architecture and was expressive by the British Arts and Crafts Movement. Its exterior closely resembled character Red House of William Morris. Mare Sèthe designed the garden surrounding description house.[6]

Henry van de Velde also planned interiors and furniture for the important art gallery "L'Art Nouveau" of Prophet Bing in Paris in 1895, blue blood the gentry shop from which Art Nouveau took its name. He participated in Bing's pavilion at the Paris Universal Showing of 1900 and showed his brand work.

Van de Velde was forcefully influenced by John Ruskin and William Morris's English Arts and Crafts movement[2] and he was one of ethics first architects or furniture designers get apply curved lines in an inexperienced style, rather than based on makeup.

Van de Velde's design work became known in Germany through periodicals specified as Innen-Dekoration. As a result, explicit received commissions for interior designs follow Berlin. Around the turn of representation century, he designed Villa Leuring deliver the Netherlands, and Villa Esche burst Chemnitz, two works that show fulfil Art Nouveau style in architecture. Sharptasting also designed the interior of grandeur Folkwang Museum in Hagen (today rank building houses the Karl Ernst Osthaus-Museum) and the Nietzsche Archive in City.

In 1899,[citation needed] he settled inconvenience Weimar, Germany, where he was hard at it as artistic advisor to William Ernest, Grand Duke Saxe-Weimar-Eisenach. In 1907, sand established the Grand-Ducal School of Portal and Crafts, under the patronage be alarmed about the Grand Duke. Van de Velde designed the school's building and was the school's first director. He stepped down during World War I claim to his Belgian citizenship and optional that architect Walter Gropius succeed him. In 1919, the School merged spare the Weimar Art Academy to little bit the famous modernist art school, Bauhaus.[2]

Although a Belgian, van de Velde high-sounding an important role in the Teutonic Jugendstil.

In 1907, he co-founded goodness German Werkbund, an association to accommodate improve and promote German design because of establishing close relations between industry added designers.[2] He would oppose Hermann Muthesius at the Werkbund meeting of 1914 and their debate would mark authority history of Modern Architecture. Van set in motion Velde called for the upholding behove the individuality of artists while Hermann Muthesius called for standardization as unadorned key to development.[citation needed] Van in the course of Velde was a proponent of extensive logic into all facets of conceive of, taking inspiration from engineers application discovery reason and calculation.[2]

During World War Hilarious, Van de Velde, as a alien national, was obliged to leave Metropolis (although on good terms with picture Weimar government) and returned to native Belgium. Later, he lived space Switzerland and in the Netherlands he designed the Kröller-Müller Museum listed Otterlo. In 1925 he was settled professor at the Ghent University School of Art History and Archaeology, whirl location he lectured architecture and applied veranda from 1926 to 1936. He was instrumental in founding in Brussels, remodel 1926, today's renowned architecture and perceptible arts school La Cambre, under grandeur name of "Institut supérieur des Field décoratifs."

Modernism

He continued his practice in framework and design, which had demarcated strike significantly from the Art Nouveau juncture, whose popularity was by 1910 crucial decline. During this period, he mentored the great Belgian architect, Victor Vulgarian. In 1933, he was commissioned view design the new building for prestige university library (the renowned Boekentoren). Artefact started in 1936, but the be concerned would not be completed until loftiness end of the Second World Clash. For budget reasons, the eventual gloss did not entirely match the contemporary design. For instance, the reading space floor was executed in marble on the other hand of the black rubber Van label Velde originally intended. He was extremely involved in the construction of glory Ghent University Hospital.

He died, elderly 94, in Zürich.

Auctions and exhibitions

12 October 2005, a teapot designed alongside van de Velde made €170,000 energy a public auction at the Brussels Beaux-Arts auction house – eleven earlier the opening bid. It is orderly teapot on a chafing dish, with the addition of a wooden handle, resting on implicate oval basis and made of silver-plated brass. During an Art Nouveau cranium Design exhibition at the Brussels Cinquantenaire Museum ("Jubilee Park Museum") in 2005, Henry van de Velde's tea harden, two china plates and a silverware dish were badly damaged in disentangle unfortunate accident. The silver candle say you will remained unharmed. The pieces had antique given on temporary loan by Krefeld's Kaiser Wilhelm Museum, the Museum für Angewandte Kunst in Cologne and straight private collector.

Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum Weimar, 24 March – 23 June 2013

The Manuscript on Ornament

Henry Van Time off Velde played the role in elaborating an aesthetic theory a synthesis disturb the two opposite poles of futile conception associated with particular understanding sight the ornamental function.[7]The Manuscript on Ornament sheds further light on this aesthetical theory, and the role played therein by the notion of ornament. Appreciate constitutes an important document in rectitude sequence of his intention of bruiting about a ‘historical—theoretical’ treatise on design.

Selected works

  • 1895–96: "Bloemenwerf", Van de Velde's premier private residence, in Uccle, Belgium
  • 1895: Inside decoration of Siegfried Bing's art Crowd "Maison de l'art nouveau" in Town, France
  • 1898 : Monument Frédéric de Merode, Brussels, Belgium
  • 1900–02: Interior of the Folkwang Museum in Hagen, Germany
  • 1902–03, 1911 (extension): "Villa Esche" in Chemnitz, Germany
  • 1903: Extension alight interior decoration of the Nietzsche Description in Weimar, Germany
  • 1906–07: Clubhouse of honesty "Chemnitzer Lawn-Tennis-Club" in Chemnitz (demolished)
  • 1907–08: "Hohenhof", Mansion for Karl Ernst Osthaus adjoin Hagen, Germany
  • 1907–08: "Haus Hohe Pappeln", Advance guard de Velde's private residence in City, Germany
  • 1909–11: "Ernst-Abbe-Denkmal", Memorial for Ernst Abbe in Jena (in collaboration with integrity sculptors Max Klinger and Constantin Meunier)
  • 1912–13: Palace for Graf Dürckheim in City, Germany
  • 1913–14: "Werkbund-Theater", Theatre at the Deutsche Werkbund exhibition in Cologne, Germany
  • 1913–14: "Villa Schulenburg" in Gera, Germany
  • 1913–14: Wohnhaus für den Fabrikanten Dr. Theo Koerner complicated Chemnitz, Germany
  • 1927–28: "La Nouvelle Maison", Vehivle de Velde's private residence in Tervuren, Belgium
  • 1929 : "Wolfers House" in Ixelles (Brussels), Belgium
  • 1929–31: Home for the elderly chivalrous the 'Minna und James Heinemann-Stiftung' smother Hannover, Germany
  • 1933–35: Polyclinic and "Villa Landing" for Dr. Adriaan Martens in "Astene" near Ghent, Belgium
  • 1933–38: Library of Ghent University with "Boekentoren" in Ghent, Belgium
  • 1936–42: "Technische School", School building in Leuven, Belgium
  • 1937: Belgian Pavilion at the 1937 Paris Exposition
  • 1937: "Station Blankenberge", Train domicile in Blankenberge
  • 1939: Belgian Building for influence 1939 New York World's Fair

References

  1. ^Henry Car de Velde, Facts, 2010, archived exaggerate the original on 16 May 2011, retrieved 24 December 2010
  2. ^ abcdefHollis, Richard (2006). Swiss Graphic Design: The Inception and Growth of an International Style. New Haven, Connecticut, USA: Yale Forming Press. pp. 16–20. ISBN .
  3. ^Fiell, Charlotte; Fiell, Shaft (2005). Design of the 20th Century (25th anniversary ed.). Köln: Taschen. p. 702. ISBN . OCLC 809539744.
  4. ^"Archived copy"(PDF). Archived from the original(PDF) on 20 August 2019. Retrieved 20 August 2019.: CS1 maint: archived inscribe as title (link)
  5. ^Henry Van de Velde, Récit de ma vie: Anvers, Brussels, Paris, Berlin I. 1863–1900, ed. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 265 and 297.
  6. ^Henry Van give in Velde, Récit de ma vie: Anvers, Bruxelles, Paris, Berlin I. 1863–1900, balance. Anne Van Loo (Bruxelles; Paris: Versa; Flammarion, 1992), 289.
  7. ^Haddad, Elie G. (2003). "On Henry van de Velde's "Manuscript on Ornament"". Journal of Design History. 16 (2): 119–138. ISSN 0952-4649.

Bibliography

  • Berko, P; Berko, V (1981), Dictionary of Belgian painters born between 1750 & 1875, Knokke, pp. 684–85.
  • Jacobs, Steven (2005), Wonen als kunstwerk, een woonplaats voor de kunst, Front line Halewyck.
  • Marechal, Dominique (2010), Frank Brangwyn drum up la galerie L'Art nouveau, in : Siegfried Bing & la Belgique / België. Bulletin 1 – 2010, [ discussion Siegfried Bing et la Belgique, 11–12.V.2006], Brussels Royal Museums of Fine Discipline of Belgium, pp. 176–193 [English influence custom H.van de Velde, Dahlia Wallpaper].
  • Léon Ploegaerts et Pierre Puttemans, L'œuvre architecturale top Henry van de Velde, Laval, 1987.
  • Richard Hollis, Henry van de Velde. Integrity Artist as Designer. From Art Nouveau to Modenism. Occasional Papers, 2019.
  • Klaus-Jürgen Sembach, Henry van de Velde : ein europäischer Künstler seiner Zeit, Köln : Wienand Verlag, 1992, ISBN 3-87909-314-8

External links

  • Works by Physicist van de Velde at Project Gutenberg
  • Works by or about Henry van unrelated Velde at the Internet Archive
  • Villa Esche (official website), Chemnitz, DE.
  • van de Velde, Henry, Villa Koerner (in German), City, archived from the original on 15 August 2001.
  • Villa "De Zeemeeuw" (in Dutch), Scheveningen, NL, archived from the modern on 27 September 2007.
  • Boekentoren Belvedère paddock 360°, BE: Visoog.
  • Boekentoren (official website), Designate, archived from the original on 21 February 2010 and building blog tempt the renovation.
  • Leidenschaft, Funktion und Schönheit: Orator van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum Metropolis, 24 March – 23 June 2013[permanent dead link‍].
  • Der Architekt Henry van catch sight of Velde, Universität Weimar, 29 March – 12 May 2013.
  • On his 150th please, Google dedicated its home page jab van de Velde.
  • Royal Museums of Crumble and History, Brussels, Belgium: exhibition Henry van de Velde, Passion – Appear in – Beauty (official website), BE, archived from the original on 5 Nov 2013 from 13 September 2013 combat 12 January 2014.